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History |
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The
history of Allegheny Uprising goes back to the 1970s, in little
Shepherdstown, W.Va. A small teacher's college there, now Shepherd
University, attracted Jay Votel and Scott Rockwell, who for a semester,
actually lived in the same dormitory -- the now defunct Boteler Hall.
The two shared an interest in music, both were from Northern Virginia,
and Scott was playing bass in one of the hottest area rock groups at the
time, the E-Z Duzit Band, which played in and around the college and had
a large devoted following including Jay.
Jay, who was working
summers as a folksinger on Virginia's famed Skyline Drive, also
befriended another bass player -- the campus was teeming with bass
players it seems, as Scott's roommate at the time was yet another bass
player. Jay's bass playing friend, Larry Blavos, brought him tales of a
faraway steel town, Weirton, W.Va., and his friends there from his high
school's marching band including Sandy Beale, a Shepherd business
student, and Tom Ierace. Eventually, Tom came to Shepherd. So did his
sister, Betty Jo. Larry, Sandy, Tom and Jay formed a quartet called
"Euphoria" that started playing in and around the campus. Sandy played
flute and Jay's original songs formed the basis of the band's
repertoire, a folky jazz fusion that also could easily accommodate the
current rage of country rock music.
After a year, Sandy
left the group. She was replaced by Betty Jo on flute. Scott continued
to perform in the rock bands and Euphoria played smaller clubs, like the
funky and now defunct 1872 Club, as well as the student center. Perhaps
the band's most shining moment was its featured set at the annual Dark
Side of the Moon festival, played mostly in the rain, during a three-day
camp-out organized by a coalition of Shepherd students on high in the
mountains of southeast West Virginia.
Jay
graduated from Shepherd but remained in the Shepherdstown area to start
his journalism career and his family, and stayed in touch with Tom.
Larry joined the Air Force (retired as a colonel). Betty Jo continued in
school to obtain her degree in music education. Scott and Betty Jo
started dating and married, remaining in the Eastern Panhandle area.
The 1980s brought Jay,
Scott, Betty Jo and Tom together into a new group, called the Back
Pages, named after the Bob Dylan song of that title. With several
drummers, they developed a repertoire of rock and country featuring
Betty Jo's vocals and flute. The band practiced in Shepherdstown. Tom
moved to the Washington, D.C., area, to pursue his career in computer
programming, but came back to the Panhandle on weekends to play music.
The Back Pages played
the 1872 Club and the now defunct Iron Rail Inn in Charles Town. They
stuck it out for a year but the band broke up amicably after several
drummers came and went. Jay and Tom formed a musical duo, as did Betty
Jo and Scott. In the mid-1980s, Jay moved to Maryland's Eastern Shore
to edit a small daily newspaper there. He and Tom continued to perform
occasionally around Washington, in Annapolis and across the Chesapeake
Bay, and still perform together to this day (more at
www.riffraffmusic.net). Betty Jo and Scott also continued to perform
in the Eastern Panhandle.
Betty
Jo and Scott also stayed in touch with Jay, who developed his long
interest in bluegrass music and was messing around with mandolin during
the early 1990s, jamming with bluegrass musicians on the Shore. They
actually got together in what would form the first Allegheny Uprising
trio during the couple's campouts at the beach in Delaware. Scott was
putting together his home studio, developing his ability on banjo and
fiddle, and Betty Jo was writing her first original songs. By the
mid-to-late 1990s, when Jay returned to Virginia having five years of
performance with the Elkton, Md.-based Hit 'n Miss bluegrass band under
his belt, Betty Jo and Scott were to the point of asking Jay to sit in
on some recording sessions for their CD project, "Songs from the Soul."
Jay already had co-produced the Hit 'n' Miss debut disc at that time.
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Country Roads Folk Festival
Almost
Heaven Farm, Kearneysville, WV
Summer 2004
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Eventually, the
three started performing folk and Appalachian tunes publicly. Scott
and Jay played some jobs in Charles Town on banjo and guitar. They
brought Betty Jo in on guitar, flute and vocals so Jay could play
more mandolin. They performed at small clubs and folk venues in
Maryland and West Virginia. Mutual friends helped them garner the
attention of West Virginia-based folk festival producer Maureen
Harrigan, who asked the unnamed trio to perform at her farm. This
led to more concerts and, eventually, the "Pretty Little Dog"
recording. Scott suggested the trio snag the name of Allegheny
Uprising, the title of a John Wayne movie dealing with the Whiskey
Rebellion, which seemed to fit the regional base and spirit of the
folk-grass trio.
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Betty Jo's song in
tribute to Sen. Robert C. Byrd merited attention from Democratic
party officials in the Panhandle, which in turn led to the band's
performance at an early 2006 tribute concert in Martinsburg during
which they ran into Barry Bryan of Harpers Ferry, who was playing
bass for Steve Warner's Rolling Coyotes. They hit it off immediately
and the trio invited Barry to join up.
In the early summer
of 2007, Betty Jo and Scott wanted to devote more attention to the
material they were working on for Betty Jo's forthcoming recording
project. They decided to return to performing as a duo and
recording.
Jay and Barry are
currently performing as Allegheny Uprising. The story continues...
More about CURRENT MEMBERS:
 
More about former members:
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Allegheny Uprising performed for the dedication ceremony for the B&O
Roundhouse, which has been restored and was designated a historic landmark. They
performed "Freedom In His Words," a song Betty Jo wrote to honor Sen. Robert C.
Byrd, pictured with the band, who received recognition for his role in the
Roundhouse restoration, and "Take Me Home, Country Roads." Betty Jo also
opened the ceremony by singing the national anthem a capella.

Pictured from left are Jay Votel, Betty Jo
Rockwell, Sen. Robert C. Byrd, Barry Bryan and Scott Rockwell.

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The following CD's are from
the former full
complement of Allegheny
Uprising Band
The Whole Group Together

Jay Votel, Barry Bryan, Betty Jo Rockwell and Scott Rockwell
Instrumentals - Short Takes
Allegheny Uprising
Click on highlighted titles to play or download full versions of the
song.

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2003
$10.00
To order this CD, please contact Jay Votel at:
jay.votel@verizon.net |
1. Frosty Morning
2. Ice on the River
3.
In Love With You Before
4. June Apple
5. Spencer Weaver
6. Dreams
7. Pretty Little Dog
8. Whiskey In The Jar
9. Tater Patch
10. Surrounded
11. Compromise
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Betty Jo
Rockwell - vocals, guitar, flute
Jay Votel
- vocals, mandolin, guitar
Scott
Rockwell - banjo, fiddle, bass, vocals
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Songs from the Soul
Betty Jo and Scott
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2002

from CD Baby
(click on logo)
$10.00 |
1. The Back of Your Mind
2. In Love With You Before
3. The Coffee Song
4. Voice of Your Soul
5. Love Is a Mystery
6. When You Came to Town
7. Wild Bird
8. Surrounded
9. Dreams
10. Sister Beware
11. Let Myself Be
12. Voice of Your Soul (reprise) |
Betty Jo and Scott's Songs from the Soul has been described as
"music for a new millennium," Betty Jo's vocals as "ethereal." Songs
from the Soul is a mix of folk music with Celtic, rock, and
classical influences. Folksongs about love by Betty Jo Rockwell range
from the feeling you get when you "think you have met someone before,"
(In Love with You Before) to a warning for women that the "big bad wolf
is alive and well out there," (Sister Beware) to the eternal question,
"How deeply can I love without losing myself," (Love Is A Mystery).
Vocal layering enhances the "otherworldly" quality of her voice.
Along with Betty Jo's vocal, guitar, and flute tracks, Scott Rockwell
demonstrates instrumental versatility and creativity with his
arrangements of her songs. Scott performs on guitars, bass guitar,
banjo, drums, drum programs, and various percussion. His arrangements
give the songs vitality and character.
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The songs were written and recorded in West Virginia, and the music of
the ancient Celtic lands sings throughout the album. Guest artists Terry
Tucker on piano and organ, Jay Votel on mandolin, and Ted Shobe on drums
complete the recording with their distinctly original musical offerings,
making Songs from the Soul a must hear CD sure to please the
listener with an appetite for something different.
..."flawless vocals,"....."another musical masterpiece".....
Randy Cross, Nightlife Digest
April, 2002
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About
Betty Jo Rockwell:
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Betty
Jo Rockwell has a varied and extensive musical background which includes
vocal and instrumental music. She studied Music at Shepherd College as a
flute major with concentrations in instrumental music performance and
pedagogy. Betty Jo was greatly influenced by her studies in Music
Composition and Form and Analysis. She also learned guitar while at
Shepherd.
During this time Betty Jo performed with folk and rock groups in addition
to her academic musical pursuits. She began writing songs as well.
After college, Betty Jo continued performing with instrumental chamber
groups, church choirs, and in music theater.
She pursued a teaching career in Berkeley County, West Virginia where she
taught Music in private and public school classrooms as well as private
instrumental instruction settings.
Betty Jo later decided to resume her vocal studies after college at the
World of Vocal Music in Hagerstown, Maryland. Here she joined a group of
singers who performed cabaret style concerts locally and in New York.
She has performed in an acoustic duo for a number of years with her
husband, Scott Rockwell. Betty Jo and Scott released a CD of Betty Jo's
original songs, Songs from The Soul, in 2002.
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Betty Jo and Scott also have a lovely daughter, Gena who also performs in
music, theater and dance.
Betty Jo's most requested song is a tribute to Senator Robert Byrd,
"Freedom in His Words," which she completed in the fall of 2005.
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About
Scott Rockwell:
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Scott Rockwell
plays several different instruments including banjo, old-time fiddle,
guitar, bass and saxophone. One of his earliest influences was his
elementary school band instructor, Mr. Philmore Hall. According to
Scott, “the most important thing I learned from Mr. Hall was how to
count.” Mr. Hall has the distinction of being jazz great Dizzy
Gillespie’s former music teacher.
Scott’s family
has a long musical history. His great grandfather formed a community
band in Frederick County Virginia; and his grandfather played guitar,
banjo and fiddle, in addition to being an accomplished violinist.
Scott’s uncle plays piano and violin and his mother plays piano and
organ. While in elementary school, Scott received the gift of an old
mandolin from his grandmother and shortly thereafter, received a guitar
for Christmas. A few years later, he inherited his grandfather’s banjo
and one of the fiddles from his grandfather’s extensive collection.
In high
school, Scott started playing electric bass with several “garage”
bands. “What we lacked in technique, we made up for in it in volume” is
Scott’s recollection of his early years as a bassist. In college, Scott
continued playing bass and had the privilege of performing with several
popular eastern panhandle bands, earning enough money to support himself
during college and his new family for several years after graduation.
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In
the mid-1980’s Scott got a job with the National Park Service as an
historical interpreter for the C&O Canal. His duties included tending
and driving mules, giving historical talks, piloting a canal boat and
performing period music on the banjo. This experience inspired Scott to
research and learn many old-time fiddle tunes on the banjo. Once the
tunes were in his head, he dusted off his grandfather’s fiddle and
started playing the same tunes on the fiddle.
Scott currently plays banjo, fiddle and guitar with Allegheny Uprising
and also performs in an acoustic duo with his wife Betty Jo. Scott
recently began expanding his banjo repertoire by putting on finger picks
and picking in the bluegrass style. Scott enjoys working in his home
studio, where he produced and recorded “Songs from the Soul” by Betty Jo
and Scott and “Pretty Little Dog” by Allegheny Uprising. He has also
recorded various demos and his daughter Gena’s rock bands. Scott likes
many different styles of music including bluegrass, folk, rock, R&B and
old top 40, and he continues to be a die-hard Beatles fan.
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